The ema of Kinkakuji (金閣寺の絵馬)
These are the ema (prayer plaques discussed here previously) at the Golden Pavilion in Kyoto. The god that grants these desires is 不動明王 who you can also gain favors from across town at Fushimi Inari Taisha.
TravelJapanBlog.com - Japan (07, 09-10, 13), Denmark (08, 11, 16-19, 21, 24), Korea (13), Poland (21), Mexico (14, 15, 19, 26), Iceland (17, 19), Hawaii (14, 17, 22), Czech Republic (16, 17, 19, 21)
|
The above will search Traveljapanblog.com. Concerts - Landscapes - Sports |
Posts tagged 金閣寺
Kinkakuji’s golden phoenix
鹿苑寺金閣屋上の鳳凰像
A close up shot of the golden phoenix on the top of Kinkakuji in Kyoto…
The Temple of the Golden Pavilion 金閣寺
Having visited kinkakuji last year, I had heard the story of the monk who burned down the prior version of the temple but not in any detail. Reading Donald Keene’s memoir got me interested in Mishima. The two interests combined finally got me to pick up a copy of the English translation of The Temple of the Golden Pavilion and read.
And what a curious read it turned out to be! The book is said to be historical fiction. I’ve read reviews that claim that Mishima did research and actually interviewed the arsonist so maybe it’s more historical than fiction. In any event, I became thoroughly engrossed in this book.
I won’t go into any plot lines here as you can read them elsewhere on the internet, and I don’t want to provide any major spoilers for those who haven’t read it yet.
As I read the book, I felt like there were some of Mishima’s autobiographical elements coming out in the arsonist’s character. For instance, Mishima has the arsonist say that living to an old age is a curse. (p. 128) He takes special care to emphasize physical limitations (something Mishima, himself, seemed obsessed with). And the thought of suicide is rather glorious to Mishima’s mentally unstable arsonist. Mishima worked tirelessly to become a physical specimen (through body building), thought old age was not a good thing, and committed suicide at a relatively young age.
I thought the story line near the end sounded strangely like Mark David Chapman and his preparations to murder John Lennon. Mark Chapman identified with Holden Caulfield in The Catcher in the Rye. Holden Caulfield is not too unlike Mishima or the arsonist in The Temple of the Golden Pavilion. The Catcher in the Rye deals with adolescent aimlessness, a dissatisfaction with everything, being disgusted with the phoniness people, themes of anxiety over sex, the feeling that everything is soiled, and lost innocence–all items touched on in this work of Mishima’s.
Both the arsonist and Chapman went to prostitutes and spent the last of their money before committing their crimes. Both affiliated with a book. For Chapman it was The Catcher in the Rye. For the arsonist in The Temple of the Golden Pavilion it was Crime and Punishment. The similarities seemed so eerie that I wouldn’t be surprised to learn that Chapman had also read Mishima’s book.
I give this work two thumbs up and highly recommend it–especially if you have been to Kyoto.
Daimonji 大文字
“I ran. It was fantastic how far I ran without stopping to rest. I can’t even remember what places I passed. I must have… run up the mountain path that was bordered by bamboo grass and azalea and reached the top of Mount Hidari Daimonji. Yes, it was surely on top of Mount Hidari Daimonji that I lay down on my back in the bamboo field in the shadow of the red pines and tried to still the fierce beating of my heart. This was the mountain that protected the Golden Temple from the north.” (The Temple of the Golden Pavilion, p. 261)
Kinkakuji’s sosei (金閣寺の漱清)
“[Yoshimitsu] had added the tiny Sosei, which projected from the temple like an overhanging pavilion. It was as if he had put all his aesthetic powers into breaking the symmetry of the building. The role of the Sosei in the total architecture was one of metaphysical resistance. Although it certainly did not stretch very far over the pond, it looked as though it were running away indefinitely from the center of the Golden Temple. The Sosei was like a bird soaring away from the main structure of the building, like a bird that a few moments before had spread its wings and was escaping toward the surface of the pond, toward everything that was mundane. The significance of the Sosei was to provide a bridge that led between the order which controls the world and those things, like carnal desire, which are utterly disordered. Yes, that was it. The spirit of the Golden Temple began with this Sosei, which resembled a bridge that has been severed at its halfway point… ” (The Temple of the Golden Pavilion, p. 253-254)