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Posts tagged metal

More Dir En Grey pics

The crowd at Budokan (日本武道館) for DEG was different than other concert experiences I’ve had in Japan (or anywhere for that matter). Even though everyone, except those on the floor, had seats, no one sat in them. Fists were raised and heads were banged all the way to the back row. Most in attendance were female. I’ve never seen so many girls head banging before.

Some had important messages on their shirts. The fans were from all over Japan. The girls talking behind me on the way to the train station after the show mentioned having to connect to the bullet train to get home. Maybe that’s why concerts are over between 9 and 10 p.m. I only had three stations (6 minutes) to go to be home. Not quite as short as my concert commute in Copenhagen, but nice and short anyway.

I had a great time, but I don’t think I left a much bigger Dir En Grey fan than I was at the beginning of the day.

Dir En Grey @ Budokan on Uroboros Tour

Let’s start with the venue. I wanted to see a concert at Budokan. The place is famous for not only who has played here but for the live albums that have come out of performances at Budokan (Cheap Trick at Budokan, Judas Priest’s Unleashed in the East, Deep Purple’s Made In Japan, etc.).

Arriving at Budokan can be a magical experience by itself. You cross a moat into the imperial grounds and go through a gate which may have been here for centuries. I didn’t arrive during the day (as I actually had a migraine until an hour before the show started, yuck), so the picture below was from a prior visit. At night the atmosphere is even better though.

There really isn’t a bad seat in the house for viewing purposes. I was three rows from the very back, but I could still see well. The sound was not good though. I’m not sure if it was just my location, or if that was the case everywhere in Budokan on this night. I was hoping for really great sound, like Opeth had in Tokyo, but Budokan disappointed in this important area. Perhaps the sound was good near the mixing board, where I usually try to stand. The seating was assigned so I didn’t have a choice.

There were at least six or seven cameras filming the proceedings so I’m guessing there will be a live DVD of the performance at some point. It will be interesting to see how much better the sound is for the DVD.

Dir En Grey’s music is all over the place in terms of genre. Unfortunately, I only like some of it. Usually I like the heavier elements of bands that perform in various styles (Opeth for instance). There are a few exceptions (Katatonia and Enslaved come to mind). Dir En Grey falls under this exception. They have imitated the sounds of some other bands (Rage Against the Machine and Korn come to mind and some of the death metal vocals are not remotely original) on some songs and I find these tunes to be their worst material. Funk Metal and Nu Metal just don’t do it for me. I don’t mind the Dethklokish vocals when they don’t make up the bulk of a song (like in the masterpiece Vinushka), but some other Dir En Grey numbers I can’t even stand to listen to (like “Repetition of Hatred” and “Stuck Man”).

The beginning of the show was very cool. While Sa Bir played in the darkness, some images appeared on a screen in front of the stage, the crowd stood and went absolutely nuts. I have never seen anything like it. The Japanese usually cheer in unison, but this was anything but a chant. It sounded like thousands of gargoyles had been released and they were all screaming at the stage. I got chills. Dir En Grey then went into Vinushka with the screen still up. I thought they were going to do the show with the see-through screen showing images, but it came down near the end of Vinushka–a very nice effect in any case.

Ironically, some of the background images were the same as those I’ve shown on the blog in the past week. They had pictures from Wat Phra Kaew during “Dozing Green.”

I was too far away, the lighting was too low, and the arena was shaking too much for me to get any good close up shots.

Dir En Grey – Budokan 2010

Just a little teaser from tonight’s Dir En Grey gig at the Budokan… I’ll get some more photos and video up of the sold out show tomorrow (if I have time).

An evening in Shibuya with Opeth (オーペス)

As I mentioned last time, O-EAST in the Shibuya area of Tokyo is an excellent venue. Nestled between about a dozen love hotels, don’t be surprised if you see Japanese business men (サラリーマン) in full suits and ties show up at weeknight shows. I saw several on this evening. They hadn’t even loosened their ties or taken off their suit coats to see Opeth. Perhaps Opeth shows should become completely formal in the future.

Getting to Shibuya was, by far, my shortest commute to see Opeth. It took me about 10 minutes on the train, followed by a 5 minute walk from the Hachiko Exit to O-EAST. Normally I have to drive all day to see Opeth. If you count the miles from my home base of Ashland, Oregon, rather than my current home in Tokyo, I have traveled over 21,400 miles to see Opeth. Of course I was already in Denmark when I went to Metaltown in Sweden, but even so, for the four Opeth shows I’ve gone to in the states, all included an overnight stay and, combined, logged more than 2,000 miles on my car.

I took one video which you can view below. It begins with Mikael talking and messing around with the crowd for the first minute and a half. The song Opeth then dives into is “Leper Affinity” off of Blackwater Park, perhaps their best CD. I apologize for the shakes during the first half of the video. The floor was vibrating. I adjusted my feet for a better foundation during the second half of the video so it looks much better. My TZ7 seems to take much better video (and pictures) when it is zoomed to the max. It has trouble focusing in low light for both photos and video when at a wider angle for some, unknown reason.

If you do not like heavy music, but still want to take a peek, then I suggest jumping in at the 5:10 mark. When it gets too heavy jump ahead to 8:50 to see the end.

Enjoy!

Opeth (オーペス) in Tokyo at O-East

opeth tokyo shibuya japan o-east november 17 2009 11月17日2009年 オーペス

Opeth was set to hit the stage at Shibuya O-EAST at 7 p.m. Doors opened at 6 p.m., and there was no opening band. Rain had been falling hard all day and didn’t let up before, or after, the show. I arrived at 6 to find that they were letting people in based on a number printed on the ticket. It turns out I was number 189. I don’t know if this is the case at all small venues in Japan, but it is good to know. If you aren’t in the first 50 numbers, who grab up the best spots, you may as well show up 10 minutes before the show so you don’t have to stand and wait for an hour.

Most people in the audience had an umbrella with them throughout the show, myself included. Afterwards I thought I should have opened my umbrella when Mikael mentioned “Watershed,” but maybe the mostly non-English speaking audience wouldn’t have made the connection.

O-EAST is a fantastic venue. The stage is large for the size of the place, and everyone in the audience is within about 40 feet of the stage. The sound was incredible. I think this was the best quality sound I have ever experienced at a concert. Maybe my earplugs were just in perfectly, or something, but the music was crystal clear. There wasn’t the normal distortion of music bouncing around like there usually is at indoor shows. I wasn’t even standing near the mixing board; nor was I dead center. Even so, the mix from my position in the crowd was perfect; every instrument, and the vocals, sounded just right.

オーペス ミカエル・オーカーフェルト Mikael Åkerfeldt

Even though I saw Opeth on this same tour back in the states this past summer, the set list was extremely different on this evening in Tokyo. Only two songs were the same. “Windowpane” was probably the last song in the world I was expecting them to begin with. “Burden,” kicking off the encore, was also a shock. Personally, I’d rather hear “Demon of the Fall” and “Baying of the Hounds” instead, but surprises are good too.

Setlist:
Windowpane
Ghost of Perdition
The Lotus Eater
White Cluster
The Leper Affinity
Reverie/Harlequin Forest
April Ethereal
Hex Omega
Burden
Rudolf Schenker impersonation
Guitar Solo
Deliverance

I have a pretty decent video of “The Leper Affinity” coming here soon.





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